Hello!
I am Nidhi Jethava and in this blog I am going to write down a brief interpretation about 'Daffodils' by William Wordsworth.
Daffodils
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Interpretation
Daffodils is a well-known poem by Romantic poet William Wordsworth. This simple poem, one of the loveliest and most famous in the Wordsworth canon, revisits the familiar subjects of nature and memory, this time with a particularly (simple) spare, musical eloquence. The plot is extremely simple, depicting the poet’s wandering and his discovery of a field of daffodils by a lake, the memory of which pleases him and comforts him when he is lonely, bored, or restless. The characterization of the sudden occurrence of a memory—the daffodils “flash upon the inward eye / Which is the bliss of solitude”—is psychologically acute, but the poem’s main brilliance lies in the reverse personification of its early stanzas. The speaker is metaphorically compared to a natural object, a cloud—“I wandered lonely as a cloud / That floats on high...”, and the daffodils are continually personified as human beings, dancing and “tossing their heads” in “a crowd, a host.” This technique implies an inherent unity between man and nature, making it one of Wordsworth’s most basic and effective methods for instilling in the reader the feeling the poet so often describes himself as experiencing.
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